The first record I ever bought was the Maverick theme song. "Natches to New Orleans"? I had never heard of a place called Natches, and figured the word was "matches", like two of the same card, which is normally called a "pair".
TomCat said:
Imagine anyone else landing that role (Jim Rockford)...it would not be nearly as good.
Like Jack Kelly. Or, perish the thought, Roger Moore, who I didn't, until recently, discover had been Beau Maverick, even though I did remembered their having been such a character.
I didn't realize that Noah Beery had been in a slew of old westerns until they got carried on the new, re-run channels. Ditto, of course, for Deforest Kelly.
Garner always spoke highly of Stuart Margolin. The role of a hustler/con man friend gave the writers a lot of opportunities for plot variations, like with Kingfish on Amos and Andy.
TRF was why I bought a Trans Am and wore a sport jacket without a tie 40 years ago.
I got sick of hearing Jim Rockford wannabes saying, "muh", instead of "my".
TRF is probably why the private eye genre is my favorite.
I don't even think of it as a private eye show. I thought of it as a con man show. Peter Gunn and Joe Mannix were private eyes. So was Paul Drake.
James lost that iconic pompadour.
Could be worse. Have you seen Art Garfunkel lately? Actually, worse than Art Garfunkel lately was Art Garfunkel a few years ago, when he tried out some ridiculous Art Garfunkel, Halloween-like wigs,
JG as a performer was as charismatic and likable as is possible. Ironic, as he hated people, did not get along with anyone, and turned into a bitter old man.
I hadn't heard or noticed that. I do remember that he was pissed at the studios for screwing him out of royalties, and for canceling Nichols, which he loved but which I find boring in rerun.
I could not bear to watch him on that show where he replaced John Ritter,
I never saw Eight Simple Rules, but as far as I am concerned, anyone replacing John Ritter in anything would be an improvement.
And the writing was really brilliant, and it held up through every episode.
I've noticed that the writing hasn't held up well in NYPD Blue. Those detectives kept using the same, lame interrogation tactics over and over, and they kept working, even though they shouldn't have worked the first time. "There's going to be one deal here"... "We want to help you, but first you have to...", and, "Write it all down on this pad of paper, and put a lot of 'remorse' in it".
One frequent element of many Rockford episode premises I didn't buy was that there was some unspecified, hush-hush, big brother type government conspiracy that was at the root of a lot of things that were going wrong.
"I even learned interesting things like you lose your 5th amendment rights (at least in a federal grand jury case) the second you open your mouth and fail to invoke them. You say 'uh' and it's too late."
Everything I know about the Statute of Limitations, I learned from the Superman episodes, "Jimmy Olsen, Boy Editor," (Season 2, Episode 22) and, "The Mysterious Cube" (season 6, Episode 4).
"He kept his gun in a cookie jar. Not sure if that is a commentary on gun control in the 21st century, but it just shows how brilliant the thinking must have been in that writer's room."
That's where I'll keep mine, if I ever get one. A cookie jar, that is!